There are plot holes, the allegory at the end will alienate some, and those who don’t love Perlman’s and Pantoliano’s performances might hate them instead. “The Job” boasts one good character (Taryn Manning as Bubba’s girlfriend), one great character and two absolutely fantastic characters who perfectly toe the line between horrendous overacting and B-movie brilliance, and those personalities help transform a really pedestrian plotline into a startlingly entertaining story. Instead, “The Job” saves its best surprises for the details behind those details, including what happens when (surprise!) things don’t go as smoothly in practice as they do on paper. You probably can guess what the job in “The Job” entails, and you’re welcome to do so, because the answer behind that door rates pretty low on the surprise chart.
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Naturally, the job isn’t a pleasant one, and unfortunately for Bubba, his new employer isn’t sympathetic to his change of heart. Nor does he hesitate to take the job despite his interviewer (Joe Pantoliano) not even disclosing what it entails. In Korean with English subtitles.īubba (Patrick Flueger) has struggled mightily to stay employed, so when a friendly stranger (Ron Perlman as Jim) offers him a job lead, he doesn’t hesitate to take an interview. When those elements work in tandem, and when the twists that pop up are as skillfully produced as these are, it’s as good as the genre gets.
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As it did with the incredible monster movie “The Host,” Bong Joon-Ho’s direction enlivens a pretty standard story framework with surprising levels of dark comedy and sneaky character colorization as well as the expected drama. Between the lines, though, “Mother” is an awesome story about a sweet little lady who isn’t as sweet as she seems and has no qualms about getting her hands dirty and playing ball with forces she very obviously isn’t equipped to understand. Superficially, “Mother” is (without spoiling the extent of Do-joon’s trouble the way the DVD case and trailers do) a fairly familiar story about an overmatched person trying to bail a loved one out while those with the power to actually do so completely fumble the opportunity. Fortunately, that doesn’t mean she won’t scorch the earth and have a go at it anyway. When Do-joon crosses that threshold and finally finds himself in some seriously hot water, Mother finally is powerless to protect him.
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Slow-witted and trustful-to-a-fault Do-joon (Won Bin) stands constantly on the precipice of danger and trouble by hanging out with the wrong crowd, and there’s only so much even our overbearing titular character (Kim Hye-ja as Mother) can do about that.